Spoils, Wah Wah Exit Wound, Friday January 18th, Blue Moon Tavern, FREE
SPOILS
The best rock & roll qua rock & roll band in Seattle. Existing in a realm void of the pre-requisite irony or blaspheming idolatory of which infects current popular music propagation.
Extracting themselves from their various other constituencies (Master Musicians of Bukkake, Earth, Asva), Milky Burgess, Diamond Vincent, and Don McGreevy rock free.
Primordial electric finger-picking, supergruv rhythm section, and vocalizations emanating from some being’s core.
Doped-up, sexed-up, and fog-imposed tributes to the pure romance of the hedonsitic side of things.
WAH WAH EXIT WOUND
The naysayers of progressive rock only indicate their unprogressive minds. Progenitors of progressive rock who use the term should operate with caution as well to avoid semantic pitfalls.
Compositions designed to frighten and challenge within pre-existing languages. Presented from the realms of ADD denial and dreams of schizophrenic absolution.
Funk in 9, drunken pirate sing-alongs, odes to solary ocular organs, and a complete musical thesis on one interpretation of Wittgenstein’s Philosophical Investigations.
“Her eyes were the color of the sun!”
As always, the show is free. Because the Blue Moon is a free venue. And bands still get paid. Funny how that works. Required attendance for anyone who claims to have interest in the archaic musical tool known as “guitar.” Phenomenological demonstrations of various methods.
Only two bands on the bill so everyone gets to open up a little bit.
10 p.m.
Popularity: 43%
For those of you who were on the fence about checking out the 
Seeing that there has been a lot of KEXP talk on here about who gave what, who ain’t givin crap, who hates who, who loves who, etc, I’ve thought I’d avoid the politics of it all and let you know about a little sum-sumthin’ KEXP can do for YOU.
Local post-hardcore rockers 
